|
|
|
|
Here is information on my book that was published in June of 2006. Also, you will find information on other publications, presentations and conferences I am attending here. Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality
Other Publications: Book Review: Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Michael E. Veal: Wesleyan University Press, 2007. Popular Music and Society. February 2009, Issue 32.1. Book Review: Head Hunters: The Making of Jazz's First Platinum Album. Steven F. Pond. Ann Arbor: University of Michigan Press, 2005. Popular Music and Society. December 2008, Issue 31.5. Book Review: Noise Orders: Jazz, Improvisation, and Architecture. David P. Brown. Minneapolis: University of Minnesota Press, 2006. Popular Music and Society. December 2007, Issue 30.5. Book Review: New Orleans on Parade: Tourism and the Transformation of the Crescent City. J. Mark Souther. Baton Rouge: Louisiana State University Press, 2006. Journal Of Popular Culture. June 2007, Issue 40.3 The History of Michigan Kendo Kendo World Vol. 3.1 February 2005 A detailed account of the Japanese martial art Kendo and its rise in Michigan appears in the first ever English language journal on Kendo. Co-authored by Mr. Charlie Kondek
Presentation List: March 19-22, 2008 Popular Culture/American Culture Association National Conference, San Francisco, CA: "Avoiding the Political Ramifications of Oi! How the Business Championed the Underground." April 4-7, 2007 Popular Culture/American Culture Association National Conference, Boston, MA: Panel Chair for Contemporary Garage Rock Presenting Setting Your Sights on the Underground. Excerpt from Garage Rock and its Roots: Musical Rebels and the Drive for Individuality. October 27-29, 2006: Mid-Atlantic Popular Culture/American Culture Association Annual Conference, Baltimore, MD: “Setting Your Sights on the Underground: Excerpt from Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality.” April 12-15, 2006: Popular Culture/American Culture Association National Conference. Atlanta, GA. “Dedicated Follower of A Well Respected Man: Music Hall and Irony in The Kinks” March 23-26, 2005: Popular Culture/American Culture Association National Conference. San Diego, CA: “What is Garage Rock? The conflict of defining contemporary Garage Rock’s identity: Excerpt from the upcoming book entitled, Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality.” April 7-10, 2004: Popular Culture/American Culture Association National Conference, San Antonio, TX. “The Count Who? Excerpt from the upcoming book entitled: Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality.” October 17-19, 2003: Midwest Popular Culture/American Culture Association Conference, Madison Wisconsin. “The Invasion of the British: Excerpt from the upcoming book entitled, Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality.” April 16-20, 2003: Popular Culture/American Culture Association National Conference, New Orleans, LA. “A Mirrored Past: Nostalgia as Constructions of Subjectivity in the Underground Music Known as Garage Rock.” November 1-3, 2002: Mid-Atlantic Popular Culture/American Culture Association Annual Conference, Pittsburgh, PA. “Nostalgic Representations as Constructions of Subjectivity in Sam Shepard’s True West, The Tooth of Crime and the Underground Music Known as Garage Rock.” November 2-4, 2001: Mid-Atlantic Popular Culture/American Culture Association Annual Conference, Silver Springs, MD. “Culturally Identified Feminism in Two Adaptations of Shakespeare’s Taming of the Shrew.” |
|
Revised: June 10, 2009 |
